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10:00, 05 December 2025
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Russia Creates a Hyperrealistic Sculptural Reconstruction of an Ancient Mummy

Russian scientists have unveiled a hyperrealistic reconstruction of an ancient Egyptian priest, using digital technologies, CT scans, and sculptural mastery to recreate a face unseen for more than three millennia

A Fusion of Science and Art

Researchers at Moscow State University have presented a unique scientific and artistic achievement: a lifelike reconstruction of an ancient Egyptian mummy's face. The project combined computer tomography, 3D printing, and the work of anatomical artists, allowing scientists and museum visitors to see the remarkably detailed appearance of a man who lived over 3,000 years ago.

The mummy, long known as the 'priest mummy' from MSU’s Museum of Anthropology, was brought to Russia in the 19th century. Only now, with modern analytical tools, have researchers been able to reveal its secrets. Radiocarbon dating showed that the man lived approximately 3,080 years ago, during the New Kingdom period of ancient Egypt.

Digital Foundations for Reconstructing the Past

The core of the project lies in the digital transformation of scientific data. CT scans of the mummy were used to produce a precise 3D‑printed plastic replica of the skull. This replica became the foundation for meticulous sculptural work: artists reconstructed muscles, soft tissues, and facial features using established anthropological methodologies.

According to Anna Rasskazova, the MSU and Russian Academy of Sciences anthropologist who created the sculpture, the reconstruction is intended 'to present scientific anthropological findings in a museum setting' in a form that engages the public.

Bringing a 3,000‑Year‑Old Face to Life

The final sculpture was cast in medical‑grade silicone designed to imitate human skin. Artists then applied layers of semi‑transparent pigments, added realistic prosthetic eyes, and individually placed eyelashes and eyebrows, resulting in a strikingly lifelike portrait.

By merging advanced imaging technologies, chromatographic analysis, additive manufacturing, and traditional sculptural craftsmanship, the project sets a new benchmark for museum science and anthropological research. It allows modern audiences to connect with ancient history in a tangible, emotionally resonant way.

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